Memphis Minnie's last commercial release, and a good one. Memphis Minnie song lyrics collection. Hoodoo Lady. There were traveling shows of all kinds, from lowdown to grand, but they all included comedy, dancers and musicians of every type from jug bands to elegant pianists. Terrell) were seldom recorded playing blues. Lizzie Douglas (June 3, 1897 – August 6, 1973), known as Memphis Minnie, was a blues guitarist, vocalist, and songwriter whose recording career lasted from the 1920s to the 1950s. It’s rural party music, with doubling of parts helping punch the sound through in a loud environment in the pre-electric age. Minnie used the name both publicly and privately, although her family still called her Kid. MEMPHIS MINNIE & KANSAS JOE. Minnie’s fantastically vituperative vocal delivery on some songs may be due in part to having a cheek full of Copenhagen. Minnie worked the streets and parks with Jed Davenport’s Beale Street Jug Band, and her guitar playing was influenced by the popular jug band musician Frank Stokes, who’s guitar duets with Dan Sane are very similar to Minnie’s early style. For guitar players, the first part of her career is definitely the most inspiring, as her inventive variations make masterpieces of tunes like “When The Levee Breaks”(1930) or “Let’s Go To Town”(1931). Memphis Minnie was born on this date in 1897. These sides were never issued by Regal but can now be heard on the Biograph CD Memphis Minnie: Early Rhythm and Blues 1949. Elizabeth “Kid” Douglas, known as Memphis Minnie was an intricate guitarist, an astute songwriter and a stylistic innovator. One photo of the two has Minnie in an florid, drop-waisted day dress, with straightened flapper hair, looking distinctly unsteady on her feet as she grabs hold of a grim-faced Joe’s padded shoulder. Minnie settled Memphis in the early ’20s. Although Son’s playing has an impelling pulse and solidness their instrumental interplay is less intricate than what Minnie and Kansas Joe recorded. I’ve noted where I think she’s playing-what position and what key. Memphis Minnie - Walls. Related Topics: Big Bill Bronzy Blues Jefferson Airplane Memphis Minnie On This Day Kansas Joe,and Minnie were guitarists of equal ability, and the interplay of their instruments is like a great conversation: with both of them switching between treble and bass. Memphis Minnie (Lizzie Douglas, 1897-1973) was one of the premier blues artists of the 1930s and ‘40s. Her singing and songwriting, spirited demeanor, and superlative guitar playing propelled her to the upper echelons of a field then dominated by male guitarists and pianists. Complete Recorded 2 Memphis Minnie & Kansas Joe. She also played for dances and store promotions. Browse 50 lyrics and 412 Memphis Minnie albums. Memphis Minnie discography and songs: Music profile for Memphis Minnie, born 3 June 1897. Two of the judges, John Estes and Richard Jones hoisted the victorious Minnie on their shoulders while Kansas Joe remarked sourly “Put her down.   By 1929, Douglas had married another guitar-player, Joe McCoy, who was a good singer and guitarist, but reputedly a jealous fellow. Styles were shifting toward jump blues bands and by the mid ’50s the record industry had changed irrevocably with the fabrication of rock and roll. Suzy Thompson, who plays blues fiddle and guitar is another current interpreter of Minnie’s songs. Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie: Memphis Minnie, Black Bob, Bill Settles / Memphis Minnie - Joe Louis Strut / He's In The Ring (Doing That Same Old Thing) ‎ (Shellac, 10") Vocalion (2) 03046: US: 1935: Sell This Version Their marriage and musical partnership fell apart in the mid-thirties, around the same time Minnie became increasingly featured as a guitarist, vocalist and songwriter. Some of Minnie’s best lyrics come from this period, like those in the autobiographical “In My Girlish Days”, (1941)which she played in G in standard tuning. The companies began to seek out and record other singers in the same vaudevillian genre. Here’s links to a few of my favorite MM tunes. Memphis Minnie is widely acknowledged as one of the greatest artists in the Blues world and this collection highlights why. Apparently people in Chicago, who had never actually seen her play, were skeptical–so far no women instrumentalists had become prominent on the tough country blues circuit, although some (like guitarist Mattie Delaney), made a brief, tantalizing appearance, then disappeared.   Musically there were three basic phases to her style: the duet years with Kansas Joe, the “Melrose” band sound of the late thirties and early forties, and her later electric playing. He's In the Ring (Doin' the Same Old Thing) Memphis Minnie. Memphis Minnie was never interested in physical labor and she began to play on the streets of Memphis and the towns surrounding Walls soon after getting her first guitar. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Lizzie Douglas (June 3, 1897 – August 6, 1973), known as Memphis Minnie, was a blues guitarist, vocalist, and songwriter whose recording career lasted for over three decades.   The wretchedness of hitting the fields at dawn led some to try life with “the starvation box”, as Roosevelt Sykes called the guitar.   The commercial success of Mamie Smith’s “Crazy Blues” in 1920, alerted record companies to the existence of black record buyers. Find album reviews, stream songs, credits and award information for BD Blues: Memphis Minnie - Memphis Minnie on AllMusic Starting in 1929, her records lead us through twenty years of recorded blues and illustrate her life, as she moved from the rural South to urban Chicago. Joe Louis Strut . In the same session Son Joe sang “Black Rat Swing”, and sounded so much like Minnie he must have borrowed her chewing tobacco. He standardized the sound of his blues offerings, using musicians like Tampa Red, Big Bill Broonzy and Thomas Dorsey to back up different artists. The original dates back to 1929, and Minnie’s first-ever recording session. Memphis Minnie’s music remained popular over two decades because it was lyrically and instrumentally in tune with the lives of Black Americans. Minnie was quick to embrace the latest technologies in order to be heard above the crowds She was one of the first blues players to use a National in 1929, and to play an electric wood body National and various electric guitars in the ’40s and ’50s. Memphis Minnie recorded over 100 songs, most of which she had written herself. Perhaps it’s because Memphis Minnie doesn’t fit the myth of the young, tragic, haunted blues man and she is too complex of a character to be easily marketed. 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